Interview of Michael C Hall in “Dexter: New Blood”

The first thing you notice about Dexter: New blood, is how it is absolutely unlike, tonally, structurally, even atmospheric, the original series it is based on. Show time Dexter, which aired from 2006 to 2013, set in a bustling, sunny Miami city and immersed us in the mind of an often humorous, ironic, and even happy serial killer, a mood carried by a host of characters. comics and murders that were often played for black laughs. The new ten-episode limited series, which begins airing on Sunday, November 7, is chilly, on the other hand, swapping Florida for a fictional hamlet in upstate New York and pastel vibes for a lost protagonist. her playful sparkle amid a cast of world-weary small town characters.

With Dexter: new blood, the age of streaming’s eternal pursuit for more content has reached a particular but inevitable point at which even intellectual property without a passionate fan base rooted for it is revived. Instead of a reboot to extract more blood from a popular stone, the pitch is a reboot as a mulligan, an attempt to draw audiences in by offering the ability to fix what went wrong. Over eight seasons, Dexter went from being a popular, if somewhat wacky, high-profile drama, to the finale of perhaps the most confusing, mocked, and mocked series in recent television history (until Game Of Thrones dislodged it).

The show culminated in its fourth season, which pits forensic scientist Michael C. Hall who only kills other killers against the disturbing villain of Emmy-winner John Lithgow. The back half of the series involved a revolving door of writers and producers after showrunner Clyde Phillips left, with story arcs that either missed the mark or took to the water. It wasn’t that bad – season seven, in which Dexter’s police detective sister (Jennifer Carpenter) finally understood the true nature of her adopted brother, was a return to form that came too late, before Dexter’s entirely undeserved escape at the end of season eight. .

Eight years later, Hall and Carpenter are back, although the latter now appears to Dexter as a phantom sidekick, just as their late father did the first time around. Dexter now lives a quiet life in a quiet town, dating the local police chief, and has conquered his murderous urges since the final. It’s no spoiler to say that he ends up falling off the wagon, just as his son Harrison, now a surly emo teenager, stalks him. Across the four episodes screened for critics, this new collection is shocking in its commitment to trying something new, as Dexter desperately works to cover up his “relapse” while staying one step ahead of the plot line. a rising city that he inadvertently sparks and obsessed with the idea that his son may have inherited his illness – yes, it looks like there is another killer in the neighborhood.

As before, Hall’s mix of antihero charm and baffling monstrosity anchors it all, though there is an intriguing new wrinkle: Dexter’s need to kill is played out much more as an addiction than it is. has never been on the show. He is contemplative and serious, bearing the brunt of eight seasons of sins and collateral damage. There is no playful spirit in the voiceover narration this time; While Dexter’s father’s ghost served as a wise mentor, the image he now projects of his sister berates him, questions him, and even attacks him often.

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